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The best part is, it offers built-in editing tools and not just simple tools but powerful pro-level tools. SHOULD I UPDATE TO MACOS HIGH SIERRA UPDATEPeople identification is also a big highlight on the new update plus the cross-device syncing options. If you are fond of using the Photos app on Mac well you are most probably excited with the features on better organization, looped Live Photos, and new Memories categories. With the new MacOS High Sierra, your Safari browser will have maximum protection which will identify advertisers that track your online behaviors and remove cross-site tracking data.Īutoplay will be smarter too if you are annoyed with videos playing automatically on Sierra, now with the new release, it will detect and block sites playing the audio and automatically pauses for you. According to Apple, it has 80% faster JavaScript performance as compared to Chrome. With MacOS High Sierra, Safari gets a tweak and will be the most promising web browser ever. The APFS also works with SSDs so when you upgrade, it will automatically be converted from HFS+ to APFS. It also boasts of heavy security with data backups, built-in encryption, and crash-safe protections. This allows you to copy files to a new location without leaving traces behind. The new Apple File System will be on advanced 64-bit architecture which will make common tasks perform faster. In the battle between Sierra and High Sierra, of course, the latest version is way better as it features an improved file system.Īfter quite some time, Mac was using the System 8 to smooth run our documents and directories however during the announcement at the WWDC, a new file system (APFS) will be coming. Now that we are clear on that matter, we will, however, strip each OS on their features, capabilities, and performance.Īlthough there are many users who complain about the new High Sierra, here are the features that could convince you to upgrade: SHOULD I UPDATE TO MACOS HIGH SIERRA SOFTWAREWe know how cruel Apple sometimes is when it comes to upgrades, some applications and software may not be fully compatible with your OS unless you force upgrade. ![]() SHOULD I UPDATE TO MACOS HIGH SIERRA UPGRADEIf you would ask me, I would definitely upgrade to the MacOS High Sierra not because I think it is great but for reasons of compatibility and security. So which do you think is better between m acOS Sierra and macOS High Sierra? Let the OS battle begin! Part 2. However, some users are planning to keep their older version rather than upgrade. Since its release last September of 2017, it is packed with features that everyone is now talking about. The macOS 10.13 High Sierra is now available for download and install. Whatever case you are in, this post is definitely for you. High Sierra: should I update to High Sierra? Sometimes we fall in love with the recent iOS upgrade that we do not want anything to change.īut there are times when you are in dire need of an upgrade because of so many bad features and bugs on the current version you are on. Is It Worth Upgrading from Sierra to High Sierra? People Also Read: Why Is Safari So Slow? Fix Safari Slow to Load! 2 Solutions to Delete Temporary Files. Tips before Upgrading to High Sierra Part 4. ![]() ![]() ![]() High Sierra: What's the Differences Part 3. Is It Worth Upgrading from Sierra to High Sierra? Part 2. Moreover, the latest version will be better because it has an improved file system.Ĭontents: Part 1. High Sierra, to upgrade or not? High Sierra (version 10.13) is the fourteenth major release of macOS, considering to compatibility and security, you'd better upgrade to the MacOS High Sierra. ![]()
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![]() ‘The Brady Kids’ (1972 to 1974) and Other Cartoons From Live Action They take him home and have to try to hide his existence from everyone. Sigmund and the Sea Monsters (1973 to 1975): Johnny Whitaker( Family Affair) and Scott Kolden play brothers Johnny and Scott Stuart, who come across a friendly sea monster named Sigmund (yes, the premise is that simple), who has been abandoned by others of his kind, because he refuses to scare people. Lidsville (1971 to 1973): Butch Patrick (little Eddie Munster on The Munsters) plays a kid named Mark, who falls into the hat of Merio the Magician (played by Charles Nelson Reilly) and finds himself in Lidsville, a land of living hats - who act the way that humans wearing them would. A good word for the show itself, which was certainly different from anything else on Saturday mornings. ![]() ![]() Their enemy on the show is Martha Raye’s Benita Bizarre. The Bugaloos (1970 to 1972): The title characters are a musical group consisting of four British teenagers - three guys and a girl - dressed in insect-like costumes who can not only sing, but fly as well. In 1970, Universal Pictures released a big screen version. Like many of the Krofft efforts, very surreal, driving home the real meaning behind the name of the show. He’s also helped by other members of the community. Helping him once he gets to the island is the Mayor, H.R. Pufnstuf’ (1969 to 1971) and Other Sid and Marty Krofft Showsīritish actor Jack Wild plays Jimmy, a boy lured to a living island by an enchanted boat, which is being manipulated by Witchiepoo (Billie Hayes), who is desperate to get her hands on a magic flute that is in Jimmy’s hands. ![]() ![]() The two images are astronomically different in terms of represent, but they are also strikingly similar. I have attached screenshots from the Youtube video below to demonstrate my point. the largest and smallest powers of ten that push the limits of human understanding), there is not much difference visually. One thing I noticed when viewing the film for around the 10th time, is that as we reach the outer limits of both opposite extremes (i.e. We begin by zooming into the man’s hand, and delve into the cells in his skin, right into a single proton lying within a carbon atom in one of the many millions of cells that make up the man’s hand (this is 10^-16m). The next journey takes us the opposite direction into the negative powers of 10. We then zoom quickly back through the mind-bending journey we have just been taken on, and zoom back into the couple having a picnic in the park. We zoom further and further out by continuous powers of 10, until we reach the edge of our current scientific understanding…the edge of the universe (a square 100 million light years in each direction, or 10^24m). Very quickly we escape from the leafy park in downtown Chicago, and are gazing at the blue and green sphere of the earth, coated in fluffy white clouds. It then zooms out by one power of 10 every 10 seconds. The film begins by showing an image of a couple having a picnic in a park in Chicago. To think that this couple orchestrated the production of this film way back in the 1970s beggars belief. The video is simply mind-blowing to watch, even nowadays, with our modern movies dripping with computer-generated imagery, and mind-blowing graphics bursting out of every street corner. A small snippet of the 13-minute film can be seen below. It depicted images of American couples in love, vast highways allowing citizens to get to their day jobs, and provided an insight into fashion, current technologies, eating habits and much more. At that time, before the introduction of the internet and commercialised flight travel, the only inkling the populations of both countries would have had of the lives of one another would have been through word of mouth or propaganda in the news. The film was to be broadcast onto no less than seven 9m圆m screens in Moscow, and its purpose was to show the people of Russia what life was like for their American counterparts (normal citizens like themselves). ![]() They became so well known for their ability to convey messages through films that the US government commissioned the Eames office (run by the pair) in 1959 to create a short film for the USSR-USA Cultural Exchange Program. They had a way of expressions ideas and opinions using the vehicle of film in a way that had never been done before. The pair tried their hand at film-making in 1950, and turned out to be extremely competent in the area to say the least. ![]() Ray, an incredibly talented artist and designer with a keen eye for colour. ![]() Charles, a handsome and hugely charismatic man who’s talents lay predominantly in architecture and design. There is no denying the fact that Charles and Ray Eames were one of the busiest and most influential couples of the 20th century when it comes to all things design. ![]() ![]() ![]() It can cause confusion amongst players, so thats why I am giving you a tutorial on how to set up ranks on your vanilla server using the scoreboard system! How can we tell who is staff and who's not? Who is the owner? I join many vanilla servers, and when I view the online players, all they have is white names.
![]() ^which requires the festival server to run (Not pure java) ! Note SUN Link is broken in "Other Resouces" Section. See all the project links off of festival site. The CMU Speech group has nearly done it all including voice recongition. If Alan and Kevin can get their voices into FreeTTS, then why can't anyone else? (And it only took them 2 days to do it) They should have at least posted something since January of 2001. There are some Scheme tools hanging around in the Flite distribution that maybe of some help" There are some Scheme tools hanging around in the Flite distribution that may be of some help. I find this to be an amazing set of tools these guys put in place. You can skip the 'emulabel etc/emu_lab' step for now and only work with it if the resulting voice is horrible. ![]() * Make sure you define ESTDIR and FESTVOXDIR as defined in Chapter 10 of. Just speak at the same rate as the machine and things work out. I've done this several times and it works pretty well. Once things are set up, making a cluster unit voice to tell the time is a snap. + Making a cluster unit voice to tell the time Edit festvox/config/config to point ESTDIR to the speech_tools directory (i.e., the same place you pointed emu1.6 to). Copy festvox/config/config-dist to festvox/config/config. Put it anywhere (I put it in a separate directory). * Edit the padgraph/Makefile to uncomment the lines for creating the libpadgraph.so. * Run "./configure -with-tcl=/usr/local/ActiveTcl -with-estools=/home/wwalker/work/FestVox/festival/speech_tools" (you'll need to modify the estools path to point to your location, of course) * Make sure you set your LD_LIBRARY_PATH to include /usr/local/ActiveTcl/lib * Make sure you set your PATH to include /usr/local/ActiveTcl/bin Go to the lib directory where in you installed ActiveTcl (e.g., /usr/local/ActiveTcl/lib) and edit tclConfig.sh and tkConfig.sh to replace the lines with /usr/local/ActiveTcl. * When the install.sh script is done, you will need to do some patching. ![]() * When the speech_tools are done building, go to the festival directory and do a. ACTIVETCL PLEASE RUN THE INSTALL SCRIPT PATCH* Download the FestVox cluster units patch for Festival and unpack it in the same directory as the above. Download them all into the same directory and gunzip them. Here's the steps I found that worked for me on my RedHat7.2 system: The process is not spelled out well at all and it reqired some goofing. You need to get the Festival download, the FestVox download, a package called EMU for helping with the labelling, and a Tcl/Tk that works with EMU. Setting up FestVox requires a lot of stuff. ![]() To encourage more work in this area, I thought I'd start this thread, and begin it with notes I took while setting FestVox up on my machine. There are some people in the world that have been successful moving FestVox voices to Flite, but the process is not well documented. There's still some strong interest in tools that turn FestVox voices into FreeTTS voices. ![]() ![]() ![]() Also, that ending jam (with the bass and drums) gives me chills every time I listen to this song.ĥ - Trapped Under Ice - Freeze 'Em All - Antarctica (2013) Chicago, IL (2000) Really the best mix they might have played in their career. Godlike guitar tones, perfect drumming, perfect bass audio, unreal energy. Aside from that little bit, there's not much difference between this song and any other from the San Diego show. This sounds so much better in my opinion. He's been playing this song like that since around the time Rob joined the band and he left rehab. First and foremost, I really wish James would stop playing the clean parts with an acoustic. Tough to choose, but the symphony has been ringing in my ears for longer, so that's my pick.Ĥ - Fade to Black - Live Shit: Binge and Purge - San Diego, CA (1992) Also, the Seattle 1989 and San Diego 1992 shows are also on par with the S&M track for me. The S&M concert is my all time favorite piece of discography that the band has produced over the years, and although some songs didn't play that well here (Puppets being one), they knocked it out of the park here. Always seem to nail it.ģ - For Whom the Bell Tolls - S&M - Berkeley, CA (1999) Honestly, I think you'd be hard pressed to find a bad performance from the guys over the years of this song. The performance of Ride here at this concert is easily Top 3 for me from the soundtrack. Just my take.Ģ - Ride the Lightning - Metallica: Through the Never - Vancouver, CA (2012)Īnother mention to the TTN film. Kirk also seemed more into it during these years too. Lots of people will point out that this is when Lars hit his drop off in playing (not going to discuss that here), but he was consistently good during this era. James killed just about everything vocally, from the KEA stuff to the newer rock/bluesy stuff going on with Load and ReLoad. 19 were some of my favorite years they played. ![]() Nevertheless, here we go - album numero 2!ġ - Fight Fire with Fire - Woodstock Festival - Rome, NY (1999) Well, laziness has gotten the better of me for the last two weeks. Sorry for the delay everyone - I pointed out in the original post detailing Kill 'Em All that the only thing preventing me from doing these posts was commitment. ![]() |
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